the flower and skull all over printed tank top and legging 1

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abstraction. Like Sartre’s benefactors of Bouville who “attempt, through their portraits, to show that their lives had been ‘essential’ and ‘right”‘ Hill, p. forty one, Ode Elann Monroe takes “all the New York magazines and newspapers” so as to bolster his idea of himself as a member of the cultural and monetary elite. Himself a parvenu compared to the Sinks, Ode Elann longs to be accepted by the upper echelon of bourgeois society that the brothers symbolize. Thus it follows that Ode Elann “didn’t actually enable something to be stated against the Sink brothers” even once they “by no means sent condolences or something” when Harry’s mother had a miscarriage. Harry eventually forces his father to see the futility in such groveling, but at this level in Harry’s life, his father lives in obsequiousness to his bourgeois icons, the Sink brothers. In Geronimo Rex, Harry’s desire for adventure and its manifestation early within the novel in the type of war fantasies tightens the link between Kierkegaardian dread and Sartrean existentialism stemming from the violence of struggle. Harry performs in patches of cane “where,” he thinks, “the Jap snipers should’ve ideally been sitting within the excessive crotches and just able to be potted by my air rifle.” On another day of play, Harry calmly notes that “a piece of stick I’d thrown on the mailbox every week ago” had been imagined as “a grenade and the mailbox a German’s mouth.” Such adventuresome play clearly associates Harry’s conduct with that

the flower and skull all over printed tank top and legging 1
the flower and skull all over printed tank top and legging 1

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