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create existential which means through motion. The first thinker to touch upon existential themes was the French author Blaise Pascal, who, within the seventeenth century, rejected the idea that rational people may clarify God. Like the later existentialists, Pascal accepted life as a sequence of irrational paradoxes. While many works of existential literature do, in reality, have a tendency to emphasise life’s pointlessness, it might be too restrictive to say that despair is their solely message. The inherent pointlessness of life is nearly always followed by an encouraging instance about how life can be given which means by the person. This is most clearly seen in the brief tales of Ernest Hemingway. Hemingway’s story “A Clean, Well-Lighted Place” has two waiters discussing the grim existence of an old man who involves their cafe every evening. Readers who focus only on the meaninglessness of the old man’s life miss the bigger point—that he has someplace to go that offers him consolation. Similarly, Hemingway’s “The Killers” reveals a washed-up boxer who waits without hope for two contract killers who’re coming to get him, but it is told from the viewpoint of a young man who’s unwilling to sit down quietly and accept grim fate. There is, nonetheless, a subset of existential writers who mix non secular feelings with Existentialism. One of these was Søren Kierkegaard, who solved the question of the way to reconcile a perception in God with responsibility of 1’s personal actions in his philosophical works similar to Either/Or, Fear and Trembling,and The Concept of

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