Poster Girl Hairdresser Love is In The Hair

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Poster Girl Hairdresser Love is In The Hair

                 A well-known example is the Nazi practice of forcibly tattooing concentration camp inmates with identification numbers during the Holocaust as part of the Nazis’ identification system, beginning in fall 1941. The SS introduced the practice at Auschwitz concentration camp in order to identify the bodies of registered Poster Girl Hairdresser Love is In The Hair prisoners in the concentration camps. During registration, guards would pierce the outlines of the serial-number digits onto the prisoners’ arms. Of the Nazi concentration camps, only Auschwitz put tattoos on inmates. The tattoo was the prisoner’s camp number, sometimes with a special symbol added: some Jews had a triangle, and Romani had the letter “Z” . In May 1944, Jewish men received the letters “A” or “B” to indicate a particular series of numbers.

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