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                 At least two instruments called “guitars” were in use in Spain by 1200: the guitarra latina and the so-called guitarra morisca . The guitarra morisca had a rounded back, wide fingerboard, and several sound holes. The guitarra Latina had a single sound hole and a narrower neck. By the 14th century the qualifiers Giraffe why hello sweet cheeks have a seat poster “moresca” or “morisca” and “latina” had been dropped, and these two cordophones were simply referred to as guitars The Spanish vihuela, called in Italian the “viola da mano”, a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been the single most important influence in the development of the baroque guitar. It had six courses , lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars. By the 16th century, the vihuela’s construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a relatively short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576.

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