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In addition to this, Melville successfully imitates three Biblical strains: the apocalyptic, the prophetic and the sermonic narrative tone of writing. Melville sustains the apocalyptic tone of anxiety and foreboding for a whole chapter of Mardi. The prophetic strain is expressed by Melville in Moby-Dick, most notably in Father Mapple’s sermon. The tradition of the Psalms is imitated at length by Melville in The Confidence-Man. Redburn’s “Thou shalt not lay stripes upon these Roman citizens” makes use of language of the Ten Commandments in Ex.20,[f] and Pierre’s inquiry of Lucy: “Loveth she me with the love past all understanding combines John and Philippians Third, certain Hebraisms are used, such as a succession of genitives , the cognate accusative. A passage from Redburn shows how all these different ways of alluding interlock and result in a fabric texture of Biblical language, though there is very little direct quotation:

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